And for a mere $8,500 per shipping container and a small wait of 35 days, you can have scenery built over there and ship it over here. I know that Aidan is associated with the Welsh National Opera. “Yes, it would have to go certainly out of the area, out of state, possibly out of the country,” Moore told me. Would this mean we would never see a locally built opera set again? The star of this production is Seattle’s iconic St. It is a produced film of the opera set at an iconic Seattle location that makes use of cinematography and a rich soundtrack and soon to be available for streaming. When I met Michael, he was wearing a button that said: “Save Our Shop.” He said they got word on March 15 that the company needed to save money and that closing the facility would save $500,000 a year. Seattle’s latest Tosca isn’t a live version or even a recording of a past staging. But Seattle’s Moore says that’s exactly what’s happening here. This Michael Moore is not to be confused with Michael Moore the filmmaker, who made his name fighting outsourcing. “Seattle Opera has recently had to make some difficult decisions in order to ensure we have a sustainable future” it began.Īnd one of those decisions was to shut down the scene shop and use it for storage.Īnd Moore is on a crusade to keep it open.
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